I draw weird things. I draw cute things. I LOVE LOK/Korrasami Art. I Also LOVE MLP. Commissions are open! Message for details.
Christian, LGBT, Pan-Sexual. I am happily married. My blog showcases my drawings, and other tumblrings I find interesting. Huzzah.
Who I Follow
Daily Corgi Icon! That’s Right! I made a Daily Corgi Facebook page! (Tumblr page in the works) you can follow every single Daily Corgi post there as well! WWW.Facebook.com/mydailycorgi
Does anyone else have this horrible fear of death? I do. It’s a constant thought on the back of my mind. “Someday you will lose everyone you ever loved.” “How will you cope?” “What will it be like to die?”
I have a very hard time saying goodbye to people I care about… Even if its just for a few days. (If my wife goes out of town for a weekend or so. I cry. My best friends are about to move away and sometimes I find myself weeping because I’m afraid I’ll never see them again. I cry when I say goodbye to my family, because this horrible thought enters my mind, “This could be the last time you hug this person
..”
And so…when I think about people I love dying… I get so scared. I’m sure this is normal…
But I wish I could live in the moment…and enjoy the time that I do have with those I love.
It sort of feels like I have this shadow looming over me…even as I try to stay in the light.
YALL SEE HOW MADHOUSE INC PRODUCES MIRACLES??????? LOOK AT THE ANIMATION
GOD
THERE’S NO FUCKING WAY I’M MISSING THIS NOW.
anime is saved
I’m literally brought to near tears when i realize how much this work has grown.
In 2009 the series started as a webcomic self-published and drawn by author under the moniker “ONE”. (Chapter 17)
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In 2012 the series garned so much attention it was later redrawn in manga format by Murata Yuusuke (Eyeshield 21).(Chapter 18)
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And finally in 2015 the series became so popular in got an anime. So over the course of 6 years, ONE went from a modest webcomic artist as a side hobby to a well recieved author with both a manga and an anime.
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While you may be running down hard on yourself for quality- or unsure if you should bother pursuing your simple talents- there’s always a chance that one of your talent- even the ones you might not think of- could amass something great.
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I just reblogged this but i felt the need to mention: animation runs at 24 frames per second and depending on the style, it can be shot with each image held for one frame, 2 frames, or 3 frames.
Animated movies like Disney’s work are done on 1′s, but it’s extremely time consuming and expensive to do. American cartoons that you see on TV are generally drawn on 2′s to save time, money, and effort. Japanese animation is generally done on 3′s because it’s easiest and cheapest and they’ve mastered ways to make cheap but still appealing animation.
I’m mentioning this all right now because I want to make something very clear:
Just a quick doodle. We started watching Bewitched last night (boring movie overall… ) but I thought it would be cute to draw a chubby artist witch with her chubby corgi companion. (Who needs black cats anymore?) :P
Wow, I just saw your storyboard of Hamilton and that was amazing. I'm incredibly impressed with the body language and movement. Do you have any tips or any exercises to practice fluidity in body movement, and portrayal of emotions through body language?
1. FIGURE DRAWING. Draw the human body from real life (not photos) in a lot of different poses. I say not photos because you need to practice making 3D into 2d, not 2d into 2d. I took figure drawing at school but you could find a community art class to take or have your very understanding friends and family pose in exercise clothes. (My brother in law dislocated his knee a few years back and while he sat watching the TV he let me pull out my big pad and charcoal to sketch. Very kind) Now this is not just long seated 45 minute poses–break down the body into blocks and lines and focus on the gesture. @grizandnorm have a huge amount of drawing advice – check out their tuesday tips.
2. SKETCHBOOKING: More real life drawing–take your sketchbook everywhere. To school, shopping, museums, wherever. Do it with pen or marker instead of pencil–I know it’s really scary when you can’t erase but that makes you focus on the lines you put down. When you draw people around you, really try to interpret and exaggerate what they are feeling. Squash and stretch their anatomy to make the emotion the first thing you notice!
3. PUSH YOUR OWN ACTING: I take photos of myself doing poses all the time. And, when I’m posing, I try to push the emotions to an almost silly level. Really scrunching my face or stretching my arms or hunching over. When I draw looking at my photo reference, I try to push even beyond that.
4. (Oh look, a bonus tip) SILHOUETTE: Best way to make sure something is readable–if you painted it in solid, can you still tell what the emotion is? Are they leaning towards what they want, are they cowering in fear, are they glancing to one side or turning their whole head to look? Leave the face for last and focus on the BODY LANGUAGE.
If you guys are interested in submitting/donating characters to the workshop to be animated for future sbw content, I’ve posted more info about it on my you-tube channel.
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kit-n-kadoodle Said:
